#Samuel l jackson eating eyeballs full#
#Samuel l jackson eating eyeballs tv#

She dreamed up a particularly fantastical third-act set piece inspired by Ray Harryhausen’s stop-motion visual effects work in 1963’s Jason and the Argonauts. In adapting Riggs’ novel, Goldman made a few changes, swapping the lead female character from one who can control fire (who remains in the story in a smaller role) to the one who can levitate and control air, a peculiarity the screenwriter thought lent itself to more visual invention. And she does these really muscular movies with Matthew Vaughn.” She’s very shy but also very punk rock and bold. “Tonally, Jane so understands the outsider spirit. “I felt like I was bringing this gift to each of them. “They are kindred spirits,” Topping said of Goldman and Burton. It was Jenno Topping, who produced Miss Peregrine’s for Chernin Entertainment, who suggested the two team for the film. The director calls the elaborate, spooky Halloween parties the couple throw “epic,” a bit of flattery akin to having Woody Allen laugh at your joke.

#Samuel l jackson eating eyeballs tv#

“I like looking at a book and asking myself, ‘How do I replicate that experience I just had as a reader?’ ”īurton knew Goldman socially first, through her husband, English TV host Jonathan Ross, with whom she has three children, ages 25, 22 and 19. “I see my role as a translator, telling the story that’s in the book using the more visual language of film,” Goldman said. distributor.Īlmost all of her work is adaptations, a form she loves. Another adaptation she wrote, the British horror-thriller The Limehouse Golem, recently screened at the Toronto International Film Festival and is awaiting a U.S.

She co-wrote Vaughn’s gleefully profane superhero comedy Kick-Ass, his slickly imaginative X-Men: First Class, and subversively funny spy film Kingsman: The Secret Service.Ĭritics praised Goldman’s first solo script, an adaptation of the horror novel The Woman in Black, for its goth sense of atmosphere.

Goldman’s best-known previous work is her scripts for director Matthew Vaughn, many of which brought a freshness and clarity to genres that can easily get muddled and musty. He wanted them to be different and ostracized.” Tim didn’t want this to be about children with superpowers. “We wanted it to play out more like a strange dream in terms of tone. “Both of us felt very strongly about keeping a sense of mystery and not falling into a typical YA story where the hero has a goal and a destiny,” said Goldman, 46. The book, inspired by a collection of vintage photos Riggs found at flea markets and yard sales, has a vivid, spooky sense of atmosphere that Goldman and Burton were determined to uphold. Jackson is a terrifying undead creature who hunts “peculiars,” as they’re called, with a penchant for eating human eyeballs.

#Samuel l jackson eating eyeballs full#

Miss Peregrine’s Home for Peculiar Children, which opened Friday, stars Asa Butterfield as Jake, a contemporary Florida boy investigating his grandfather’s World War II connection to an orphanage full of children with mysterious powers.Įva Green is Miss Peregrine, the loving headmistress to the motley brood, which includes a girl who can float on air, a boy with a beehive in his stomach and a girl with an extra mouth in the back of her head. “She’s very intelligent, very creative, very outgoing but very internal as well.” “She’s definitely a peculiar person,” Burton said of Goldman, bestowing what counts as the highest of compliments from the director of Beetlejuice, Ed Wood and Alice in Wonderland. That eccentricity proved an asset on the English screenwriter’s latest project, an adaptation of Ransom Riggs’ bestselling 2011 young adult novel, Miss Peregrine’s Home for Peculiar Children, directed by the official auteur of outsiders and weirdos, Tim Burton. “I’ve always been drawn to spooky things, to the unusual, to things that are dark but in a friendly way,” Goldman said. As a young person, Jane Goldman always knew she was a little different. Or maybe it was when she accosted a magazine editor as a teen, trying to get a job - and succeeded, opting to become a reporter instead of going to college. Perhaps it was the time her father brought a VHS tape of David Lynch’s surrealist cult film Eraserhead to watch at her 10th birthday party.